Twenty-five films from twenty-five European countries by twenty-five European directors.

A dying man relives his past crimes in his last few days. His final act of depravity is coming back to haunt him on his death bed.

A dying man relives his past crimes in his last few days. His final act of depravity is coming back to haunt him on his death bed.

Ram is one among the five orphaned boys in Visakhapatnam, adopted by a doctor who ensures them a roof to live under, with dignity. Ram goes to any extent to protect his family and he's a handful for the baddie to handle in a time of crisis. How does Ram protect his family when they need him the most?

This making-of features additional background on the original ideas for the film. Shyamalan discusses his initial inspiration to make the ultimate B-movie, but one that morphed into something deeper. The cast and crew discuss the character motivations, the mood of the film, shooting in and around Philadelphia, and more.

What was a cunning plan from Lord Edmund Blackadder V to fake a time machine on his gullibly incompetent friends, turns out to be the real thing and hurls him and his imbecile underling, Baldrick, through the course of human history.

In his attempt to catch the Road Runner, Wile E. Coyote tries the old cartoon trick of putting up a painting of a continuing road where a bridge has in fact gone out. It doesn't work, nor does dressing in drag or dropping an anvil from a balloon.

After moving to a vineyard with her family, a pregnant woman experiences horrifying visions.

Petra Going is a migrant cyborg, an agent of the Global Nomad Project: an international “Experience Data Agency” which sends hundreds of “receivers” like her to wander the globe and record a succession of random encounters. Periodically, they return to agency headquarters where they deposit their accumulated memories into an archive. This archive is available to users who then vicariously and virtually inhabit the ready-made landscapes of touristic consciousness. The motto of the GNP: “Nostalgia For Rent.”

Time magazine critic and writer of the highly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America.